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That it didn’t leave any wiggle room for visitors to interpret for themselves the justification of the US military dropping the bomb on Hiroshima. In general those in charge believed the exhibit's script was pushing a biased agenda. They believed the exhibit would appeal too much to viewers’ emotions though sight and sound, and the script “could be read to condemn American behavior at the end of WWII” (3).
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“The problems with the script were the omission of material, the emphasis on other material, the order and placement of facts and analysis, and the tone and the mood” (2). They believed it was unbalanced because of the combination of the omission of the material and the emphasis of other material. The original exhibit as they describe here on page 1043 was unbalanced. The many pictures of human pain and suffering, the heartrending quotations from observers and victims, all appealed to the emotions of viewers” (1). Kohn, in his article History and the Culture Wars: The Case of the Smithsonian Institution's Enola Gay Exhibition, describes this part of the proposed exhibit as, “Returning again and again to the death and mutilation of women and children, this section of the exhibit succeeded even in text form in eliciting shock and disgust. This window into the hell-on-earth that had been unleashed on Hiroshima was seen as too disturbing for visitors. The other half of the exhibit emphasized the humanity of the disaster and the destructive after-effects the Americans left behind them. This nationalistic drive proceeded to birth some of the most deadly weaponry known to man. re-established their dominance and place as 1st place among the world powers. By creating the first atomic bomb and dropping it on the unsuspecting Japanese, the U.S. It then spiraled into the fear of being replaced as a world power, and that America couldn’t bring the same firepower as the Soviet Union, as the Soviets threatened to claim the achievement of ending the war first. Initially, it was driven by fear of Germany after World War II obtaining a weapon of mass destruction, as Germany was rumored to have developed an atomic weapons program of their own. The process of developing an atomic arsenal, and eventually unveiling it to the world in horrific fashion over Japan, was driven by political and militaristic factors. Visitors then encounter the why: the decision process behind the creation and eventual bombing. By doing this the exhibit is setting up the humanity of the events to follow. As audience members walk through, they view the starting location of the Pacific Islands, the home front of the war. The Enola Gay exhibit of the Smithsonian starts by setting up the context for the events surrounding the Enola Gay plane and eventual bombing of Hiroshima.